This is the adorable hottie Lee Young-hoon from the rent boy-rich boy love story, No Regret. I can't seem to find out much else about him except for the fact that he's 25. He did a wonderful job in the movie, and I hope to see more of him. A friend tells me he's going to be in Kong Su-chang's (the director of R-Point) next horror flick, GP 506. I hope he doesn't die too terribly in it...
A couple of reviews.
The Cloud (Die Wolke). Rating: 2. I didn't like this movie, and my main problem with it was that none of the characters seemed to be very well-drawn. Their emotions were never very true to them and seemed to turn in whichever direction the plot required of them. You two, start kissing! You, you're now stubborn! You, run into the radioactive rain in despair! Why? Because then the plot can move along. What was the plot? Two teenagers who had only talked to each other once previously inexplicably fall in love just as a nearby nuclear power plant melts down. They must escape before the radioactive raincloud reaches them and changes their lives forever! While most of the emotions were counterfeit, the acting ability of the main characters was not. Both the leads Paula Kalenberg and Franz Dinda did a terrific job with what they were given, and it was probably their performances that allowed me to sit through the entire movie. Again, a car hitting something it shouldn't be hitting is used as a plot device in this movie. Surely, there is nothing more horrible than someone being hit by a car! (See previous usage in Doghead.)
No Regret (Huhoi haji Anha). Rating: 4. A rent boy (Lee Young-hoon, seen above) leaves his orphanage and tries to make it in big city Seoul. Finding it hard to make ends meet after he is laid off from a factory job, he turns to working as a rent boy in a host bar, one that the rich boy businessman son (Lee Han, a hottie in his own right) of a business executive happens to frequent. A slightly bizarre love story emerges from there. I liked Leesong Hee-il's movie, but I'm kind of wondering why I liked it as much as I did, because I had a big problem with the interactions between the two main characters. Their motivations felt authentic, but the way in which they talked to and acted with each other was so stilted and weird. And it's not that the director can't pull of interactions between people, because I liked everything that was going on between everyone else: between Su-min (the rent boy) and his fellow prostitutes and his pimp; between Jae-min (the rich boy) and his fiancée and his mother. But somehow whenever Su-min and Jae-min were dealing with each other, it just didn't feel realistic. Other than that point (which I guess is kind of major...), I quite liked the story and both the actors did a great job in their roles. It might be that I just need to watch it again, but we'll see.